I saw someone reading Mamet's
True and False on the train the other day, and it reminded me of the coverage we gave it in
Back Stage West when it came out, including a good
Q&A with the author that I'm still proud of. I'm less proud of a sit-down I had some years ago with the British auteur Mike Leigh (I
link to it somewhat sheepishly), which I thought of with some pain when I happened to read Chloe Veltman's in-depth, supremely craft-focused
Q&A with Leigh in
The Believer.
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