Sam Robards as Jung, Harris Yulin as Freud in the Taper production of The Talking Cure
Sounds like Christopher Hampton's script for A Dangerous Method is an improvement over the original play on which it's based, The Talking Cure, which I reviewed in the LA Times in 2004:
Whatever their quirks or blind spots, surely the fathers of psychoanalysis were at least interesting company. But somehow Hampton has managed to drain the fraught relationship of two fascinating men of all vital signs.But A.O. Scott calls the new film "intellectually thrilling", and he doesn't seem to be alone. It could be that Cronenberg as director made the difference, or perhaps the medium. Or maybe it was the spanking scenes.
Intellectual vigor, competitive spark, anxiety of influence -- all are missing in action from this lifeless tintype.