The December issue of American Theatre is out, and while I can highly recommend any number of great features worth your time this time out--many in the print-only edition, including a fascinating, you-couldn't-make-it-up piece by the late Dale Wasserman about collaborating with W.H. Auden on an early draft of The Man of La Mancha--I feel duty-bound to point out some fine features in the online edition (comments now enabled): a look at the legacy of Grotowski, a profile of Theatre for a New Audience's dogged leader Jeffrey Horowitz, and my own Critic's Notebook on how Broadway is handling race in the Obama era.
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