The Wicked Stage

May 28, 2020

Best Showtunes Evah

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Cross-posted from Train My Ear . Some years ago Adam Feldman at Time Out New York asked me to contribute some entries for a grand list of...
May 21, 2020

Sondheim vs. Weill's "Fruity" Sixths

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Cross-posted from Train My Ear . If you forced me to make a list of favorite composers, Kurt Weill would be at the top, Maurice Ravel ...
May 18, 2020

Flashback: Rich Media

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When I first arrived in New York City 15 years ago I didn't land a full-time job right away—it took me more than a year before I land...
Apr 30, 2020

The Private Canon, Vol. 2: Major-Minor "Mbombela"

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Cross-posted from my music blog Train My Ear . With the music I cherish most, it’s the sound that matters first and above all. I don’...
Apr 22, 2020

The Private Canon, Vol. 1: Ven Bernabe y Lamento Jarocho

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Cross-posted from my music blog Train My Ear In my decades of listening to and thinking about, and occasionally making, music, I’ve h...
Nov 6, 2019

“The haunting nature of an idea, vehemently expressed”: The complete Will Arbery interview

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Will Arbery (photo by Korde Tuttle) Like August: Osage County , Will Arbery’s play Heroes of the Fourth Turning is much, much bette...
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About Me

Rob Weinert-Kendt
is Editor-in-Chief of American Theatre magazine. He has written features and criticism for The New York Times, The Los Angeles Times, Variety, Newsday, Village Voice, Time Out NY, The Guardian, and The San Francisco Chronicle, among others. He was the founding editor of Back Stage West.
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