The Wicked Stage

Dec 23, 2014

Tops of 2014

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It's been a spotty year of blogging here, got to admit, and only partly due to the October debut of this . And it's hard not to ...

The 99-Seat Plan and Its Discontents

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Most of the theater I've seen in my lifetime, and much of the best of it, has been in Los Angeles . And the great majority of that grea...
Dec 11, 2014

Staged Albums & Ensemble/Bands

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When I wrote this cover story for American Theatre , about how the presence of composer/musicians within their own theater pieces showe...
Nov 28, 2014

What Happened to StageGrade

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You may have been wondering what happened to the review-aggregating site I created with Isaac Butler in 2010. I can spell out the saga in ...
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Oct 27, 2014

The Last Real Thing

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I'm not a big fan of the current Broadway revival of Stoppard's Coward-esque romcom, but I had seen and, to my recollection, somew...
Oct 15, 2014

I Could Laugh Out Loud

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Jay Armstrong Johnson, Tony Yazbeck, Clyde Alves If I were "officially" reviewing the new Broadway revival of On the Town  fo...
Oct 9, 2014

FoS, Bonus Track 1: The Subtle Distinctions

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As I learned in my reporting on the new musical of Jonathan Lethem's novel The Fortress of Solitude , Lethem made a two-CD "mixt...
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About Me

Rob Weinert-Kendt
is Editor-in-Chief of American Theatre magazine. He has written features and criticism for The New York Times, The Los Angeles Times, Variety, Newsday, Village Voice, Time Out NY, The Guardian, and The San Francisco Chronicle, among others. He was the founding editor of Back Stage West.
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