The Wicked Stage

Apr 12, 2013

Jesus Is Back, This Time It's Personal

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At the heart of religion are mystery and terror; peace, joy, gratitude, and forgiveness, all the nice and comforting things that compris...
Apr 10, 2013

Attention Deficit, and Surplus

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This is why I love the theater, or keep coming back to it, in any case: It holds my attention like nothing else. It may be my age, and i...
Apr 9, 2013

The Non-Readers

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I got a lot of response to Sunday's post on the future of arts journalism—encouraging words, actionable ideas, quibbles. I should ackn...
Apr 7, 2013

Who Needs Critics?

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When I opine and argue about the state of criticism and arts journalism, as I have often in this space and which I had occasion to do  last...
4 comments:
Apr 5, 2013

Russian Flashback

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in Light My Fire at Teatr.doc This time last year, thanks to the generosity of the Center for International Theatre Development , I ...
Apr 1, 2013

Band for a Run

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The Lisps I've been in bands, and I've written musicals, but apart from my actor/singer/musician adaptation of The Devil and To...
Mar 31, 2013

Crritic!

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Among the many things critics can be counted on to have strong opinions about is their own reason for being. Indeed, the why-criticism-matt...
2 comments:
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About Me

Rob Weinert-Kendt
is Editor-in-Chief of American Theatre magazine. He has written features and criticism for The New York Times, The Los Angeles Times, Variety, Newsday, Village Voice, Time Out NY, The Guardian, and The San Francisco Chronicle, among others. He was the founding editor of Back Stage West.
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