tag:blogger.com,1999:blog-8829734.post115669760922577314..comments2024-03-29T03:39:42.411-04:00Comments on The Wicked Stage: DiscouragedRob Weinert-Kendthttp://www.blogger.com/profile/04015688507553252146noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-8829734.post-1158263872677869682006-09-14T15:57:00.000-04:002006-09-14T15:57:00.000-04:00ufujI won't use this space to further defend/argue...ufujI won't use this space to further defend/argue over my review. But just to rebut the point about reviewing a preview performance...<BR/><BR/>Anonymous is probably correct that I don't explicitly note in the review text itself that I saw a preview. However, I posted very clearly a couple of weeks earlier that I had seen a preview and was holding off on writing it up. (For this, I was actually thanked by no less than the Public's press office.) And I linked to that post in my eventual review, so anyone who followed that could have understood. (As Anonymous him/herself seems to have.)<BR/><BR/>In retrospect, though, since the issue of reviewing previews is a sensitive one, I should probably have gone out of my way in the body of the review to mention it again, for the sake of full context.<BR/><BR/>Incidentally, I do hope those who fault bloggers for reviewing previews understand that we would gladly stop doing so if only more press rep's recognized us as press and invited us to official press nights. Until then, I'm gonna see the show whenever I can and whenever I can afford it.<BR/><BR/>I agree in principle, though, that being up front in a review about seeing an *early* preview is good blogging ethics. (I stress "early" since even "real" critics do review "Previews" technically, just later ones.)Playgoerhttps://www.blogger.com/profile/02994724588504353485noreply@blogger.comtag:blogger.com,1999:blog-8829734.post-1156965311236362822006-08-30T15:15:00.000-04:002006-08-30T15:15:00.000-04:00Isn't Garrett Eisler's "review" actually of the se...Isn't Garrett Eisler's "review" actually of the second preview? He doesn't mention that fact anywhere in the review, which seems a little strange.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8829734.post-1156963557000129742006-08-30T14:45:00.000-04:002006-08-30T14:45:00.000-04:00And also the theory -- not noise, at all, in my es...And also the theory -- not noise, at all, in my estimation. And where Brecht is no enemy of emotion. Not being taken in by illusion is not at all the same thing as not being emotionally involved. Brecht wanted people to be able to comment on the action AND on their own responses to the action, which include emotion. He is explicit about this in the theory -- and the proof of the pudding is in the eating: his plays.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8829734.post-1156951095564495002006-08-30T11:18:00.000-04:002006-08-30T11:18:00.000-04:00Nice name, Eilif. I have read a lot of what Brecht...Nice name, Eilif. I have read a lot of what Brecht wrote about his work, and heard many anecdotes about it. Just yesterday I happened to dip into Peter Brook's memoir <I>Threads in Time</I>; he describes meeting Brecht, who tells Brook that his ideal audience is two peasants sitting in the front row, commenting on the auction, not at all taken in by the illusion. Brook was rightly skeptical of such a comment; on the other hand, he was blown away by what he actually saw Brecht put on the stage. When you say "Read what Brecht wrote," I will selectively take that to mean his plays, songs, and poems. The rest is noise.Rob Weinert-Kendthttps://www.blogger.com/profile/04015688507553252146noreply@blogger.comtag:blogger.com,1999:blog-8829734.post-1156949986335923442006-08-30T10:59:00.000-04:002006-08-30T10:59:00.000-04:00Please stop spreading the MISINFORMATION that one ...Please stop spreading the MISINFORMATION that one is not supposed to feel at a Brecht play. This is one of the worst (of many) falsehoods about Brecht that keep getting taught in drama classes around the country. Read what Brecht wrote -- not some warmed over anti-commie Martin Esslin idiocie that have turned into American pieties. Brecht didn't want people to be merely swept away on sentimentality. But he DID want them to be engaged AND to pull back and have distance on that engagement. Someone who didn't want emoiton in the theater would not have written such scenes as Kattrin banging the drum, Swiss Cheese's death, etc. etc.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8829734.post-1156810176232439802006-08-28T20:09:00.000-04:002006-08-28T20:09:00.000-04:00It's just another blog to add to the scorecard, bu...It's just another blog to add to the scorecard, but I <A HREF="http://lucaskrech.livejournal.com/35727.html" REL="nofollow">liked it</A>Anonymousnoreply@blogger.com